His hand into hers

Death pp.142. “George Willard became possessed of a madness to lift the sheet from the body of his mother and look at her face. The thought that had come into his mind gripped him terribly. He became convinced that not his mother but someone else lay in the bed before him. The conviction was so real that it was almost unbearable. The body under the sheets was long and in death looked young and graceful. To the boy, held by some strange fancy, it was unspeakably lovely. The feeling that the body before him was alive, that in another moment a lovely woman would spring out of the bed and confront him, became so overpowering that he could not bear the suspense. Again and again he put out his hand. Once he touched and half lifted the white sheet that covered her, but his courage failed and he, like Doctor Reefy, turned and went out of the room. In the hallway outside the door he stopped and trembled so that he had to put a hand against the wall to support himself. ‘That’s not my mother. That’s not my mother in there,’ he whispered to himself and again his body shook with fright and uncertainty. When Aunt Elizabeth Swift, who had come to watch over the body, came out of an adjoining room he put his hand into hers and began to sob, shaking his head from side to side, half blind with grief. ‘My mother is dead,’ he said, and then forgetting the woman he turned and stared at the door through which he had just come. ‘The dear, the dear, oh the lovely dear,’ the boy, urged by some impulse outside himself, muttered aloud.”

The mother uses her hand to support herself in the “Mother” chapter at pp. 15 & 16. To be precise, she “steadies” and “braces” herself in those instances. The specific word “support” is used just three times elsewhere in Winesburg (Alice Lindman*2, Ed Handby) and refers to financial support.

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